Categories
Hereford Queer Ross on Wye Walford

Rat King

The Empty Beehive

1.

The IHRA definition of anti-semitism has been weaponised. Adopted by those who scream any criticism of Israel is anti-Semitic. However, there is no IHRA definition for homophobia. Until there is an official definition… those of us who experience homophobia, casual or direct cannot call out the perpetrators with any assurance.

The reason there is no official definition of homophobia? Because if we ring fenced homophobia like some have ring fenced anti semitism most people would have to address their homophobia… making for a very uncomfortable time. If the definition of homophobia was as stringent as anti-semitism most everybody I know would qualify as a homophobe.

The reality is: There is no escaping from the stain of anti semitism in the Labour Party because the definition is inescapable.

I remain a non-compliant homosexual. Most gay men keep themselves to themselves. They have learned not to complain, they have coupled up in loveless mergers and they tell me I’m making an unnecessary fuss when I warn about the rise of the right and how our lives will be impacted. Tommy Robinson is not our friend. Religious people are not our friends. After the marriage equality win in the USA I cautioned lgbt people not to take their new freedoms for granted. They sneered at my pessimism. 6 years later I am proved sadly correct. Across the USA our rights are being eroded, even marriage equality has been challenged in some states.

I am the ‘other’. The one who will not back down, the one who may lose everything rather than bow to the wishes of the many. The man who would not take it any more. For years I ignored the homophobia I experienced until it became too violent or extreme. Some would say, ‘this isn’t about homophobia, this is about you’. Yet, the two are inextricable. I have been shaped by homophobia and those who attempt to shame me for being gay.

As a small boy I saw those around me hate gay men and I thought to myself: If they hate me for something I cannot change… I’ll give them every reason to hate me. So, I started a war against homophobes at first to protect myself, but as the years past and attitudes changed, I played those bastards for sport. Now, I habitually call out homophobia because it is my duty.

If I had been a gay man who towed the heterosexual line I may not have driven myself insane with casual homophobia. The nasty aside, the glaring look, the guys who violently demanded if I was looking at them, ‘what are you looking at?’ I wouldn’t have bothered reminding straight people at gay clubs how lucky they were to experience the sexual freedom they enjoyed in our lgbt spaces, a freedom I could never enjoy in straight clubs/bars etc. without risking my life

Quentin Crisp perfectly articulated how most gay men learn not to engage with strangers because they are frighted by the prospect of physical violence. Quentin told me in The Naked Civil Servant I should not directly look at anyone. I should not speak unless I am spoken to. Because he knew he risked certain death if he did. However, I refused to obey the rules. I looked at anyone. I told men they were beautiful when they deserved it. I refused to be bowed. I behaved like any other working class men behaved with woman… with men.

Straight people don’t get to tell me what is homophobic. Straight people need to check their privilege and think twice before they speak to me about homophobia. So, it is with some curiosity I now unfold before you a continuing drama at the land in Walford, Herefordshire where we are attempting to get planning permission to park the car. When I first went to Walford I knocked on the doors of the neighbours attempting to introduce myself, some were very friendly, others less so. It didn’t take long for them to google me and decide I wasn’t neighbour material. My gay story of contentious opposition did not suit them.

The man left… I lay in the flickering light of the mute television. I thought about rats, their tails entwined in some gruesome death. A rat king.

A rat king is a mischief of rats whose tails are bound together by one of several possibilities. Entangling material like hair or sticky substances. The number of rats joined together varies from a few to very many. They remain intertwined until death parts them.

The residents of Cherry Tree Lane, Walford came marching as one into the Parish Council meeting at Walford Church last Wednesday. Crippled by resentment these sour hill-dwelling homeowners, their tails entwined like rats, gummed together, furious, emotional. Whipped into a frenzy of hate by our neighbour at Foxwood House, Fran Blackwell. Dragging her gormless husband Andrew behind her. The same husband we threatened a ‘cease and desist’ for haranguing and insulting anyone we employ to work on our land.

Cherry Tree Lane

Andrew, who rather than enjoying the last of his foggy years, has to act as gate keeper at the end of the lane, defending what little they have. His onerous duty, his frail figure poorly wrapped in the bitter cold. Angular, tall and oblivious as only dementia can render a full grown man.

When we applied for planning… threats followed. I’m used to threats. I’m used to facing the angry mob. The police at early gay pride marches. The demonstration outside the theatre at the gay play. They hate you for speaking up for yourself. They expect you to bow to their heterosexual will. Some of the neighbours on Cherry Tree Lane are no different. So, when they threatened me with a gun… I’m not bowed. When they tie laminated notices on our fence… I laugh. When they put empty bee hives on the land I simply remove them. It’s like being on a tweedy episode of the Jeremy Kyle show.

Now the slut shaming neighbours sit behind me at the council meeting. John Lewis from the ugly 80’s house (ironically called Halcyon Days) his fat red face and waxed jacket fixing me with his best impression of an intimidating stare. He looks like a demented alcoholic. You know the ones… with huge noses. John owns John Lewis Fine Foods, his wife called her neighbours telling them she had no objection to our development, just an objection to me. I am going to report John Lewis to Companies House as unfit to run a company. Andrew Williams from Starry Way, Cherry Tree Lane (before I arrived in Walford) had an appalling reputation on the Hill. Well known as a nasty piece of work… he glances at me but cannot bring himself to look me in the eye. I’m told Andrew works as a state sponsored thug for some governmental GCHQ type organisation. Obviously a candidate for an asbergers diagnosis,  Andrew arrives at the meeting looking like a cartoon undertaker. He sits in his over tight black suit and tie, his neck bulging over a soiled white collar. He is accompanied by his smug wife.

Sitting beside pouting Andrew frail, ex-lawyer Phil Watters shakes with rage. His delicate wrists folded into his flaccid lap like an elderly dowager Duchess. Emaciated Phil and his plump, much older wife Pam live in The Rocks which they run as a dank bed and breakfast. You can see the interior of their dreary house on line. It looks like it might be a themed experience? For those who want to stay at a palliative care home. Maybe they keep a priest in their converted pig shed for guests who come to die slowly from either the Watter’s killer decor or their stultifying conversation? Receiving the last rights rather than a full english. Oh… the pig shed. Did the Watter’s get planning approval for their pig shed conversion into holiday accommodation? Or didn’t they?

Then there’s amazonian Janet Shaw-Crabtree (an affected double barrelled name), the red headed wife of Steve Crabtree, who works at the BBC and live in Greystone House, the local ‘big house’. My friend’s aunt once lived in Greystone House when it was called The Eyrie. Janet, really should know better, sitting at the back of the Parish Council meeting recording everything on her pink, rubber comedy phone.

Janet and Steve invited me into their home when I first visited Walford two years ago. Janet, after three large glasses of gin, asked, “Why can’t you live somewhere else?” We left the party prematurely on account of Janet’s halitosis. The kind of halitosis one can smell a yard from her rancid mouth. Maybe she has rotten gums from excessive gin drinking and hair dye?

At the Parish Council meeting angry Fran and Andrew are lost in the melee at the back of the narthex. Smelly Janet and cunty Fran are perfectly happy to have their phone and electricity cables on our land but could not bring themselves to have it re-routed onto theirs. Jan, Fran and Pam: tonight they look like women who are sure they’ve won the war. Knitting gleefully by the guillotine.

Pam Watters is a respected Airbnb super host, tonight with her rat gang she looks less than a gracious doyenne as described in her many Trip Adviser 4 star reviews, instead she sits pinched and puckered by her anorexic husband. My neighbour David Astwood from dreary Killara House is a slim, mouse man who may or may not be gay… sandwiched between Phil and Andrew, his glasses slipping off his tiny snout. I can hear him behind me grooming his whiskers. Like a Beatrix Potter rodent I’ve seen him pottering up the lane on his electric bicycle. Whenever David sees my representatives on the hill he demands to know who they are, tells them lies about me, advises them they shouldn’t work for me and then demands they google me. Well… Google this, David Astwood mouse man.

I look back at their pale, white faces patinated by veins of fury as it dawns upon them their trip to the beautiful medieval Walford church isn’t going to plan. Rather than putting a little effort into researching how the Parish Council meeting actually works or listening to Frank, the leader of the Parish Council, who explains carefully and in detail how the public get to speak at the beginning of the meeting about anything on the agenda. When the time came for public representation the hurd sat mute and incapable.

When it is my turn to speak (I am invited to present the reasons for our planning application) the rats at the back squirm and squawk realising they’d lost their opportunity to have their say. John Lewis… the entitled, fat faced man from Halcyon Days angrily told the leader of the meeting the rules needed changing after he was told to shut up.

“I’ve lived here for 38 years.” John Lewis screams.

“Yes, and my friends have owned this land for 60 years”, I parry.

“Change the rules!” John Lewis demands.

Of course, that’s what entitled people like him…. do. The white middle class change the rules to suit themselves when they are too stupid to do a little basic research. Overcome with white privilege and false courage David Astwood the trembling mouse man timidly calls me a liar. Squeaking from the back, raising his skinny fist.

I am used to dealing with the mob. During the meeting I speak confidently and directly to the council members. Most of them are local land owners, fully aware of the trials of gaining planning permission and more significantly… nibyism. The land owners looked piteously at the serried ranks of home owners come to bully me with their thinly disguised homophobia. The application passed without objection. I looked back at Phil Watters the ex solicitor whose lips had now turned blue with rage and… I smiled. I smiled a big, gay smile.

Scott Low is one of the planning enforcement officers from Hereford County Council. Sadly, he has not remained impartial or correctly informed during his investigation of this simple matter. He has allowed himself to be bullied by forces beyond his control. He has confused and muddied what he himself described when we first met as a simple ‘permitted development’.

Last September I called Hereford Council letting them know I intended stabilising our barn on Cherry Tree Lane and reinstate access. Preempting complaints from the neighbours I wanted written confirmation from the council before I started work. I left several messages and emailed the planning department many times but had no luck reaching the duty planning officer. I left one final message before the contractor turned up, making clear I had tried making contact and I would start work on the barn that afternoon. I let them know I would interpret their silence as a tacit agreement: I would stabilise the barn and reinstate access to the land.

Finally, Adam Lewis the duty planning officer called me and agreed I could get on with what I wanted without any planning approval. I asked him to write to me which he did, giving me permission and making clear what I could and couldn’t do. At no time did he say I needed planning permission to reinstate access to the land. He did not mention ‘permitted development’ nor did he mention I would require planning permission to get onto our land or stabilise the barn.

After work began on Cherry Tree Lane Fran Blackwell and others called Scott Low demanding he stop us from working on our land. Scott appeared on site with a big scowl on his face. He told us to stop work which we did immediately. I was advised to apply for retrospective planning permission so employed planning consultant Bernard Eacock to draw up the appropriate plans and make the appropriate application.

Then it became apparent Scott Low was pressured to make my life as difficult as he could. Scott Low insisted we get an ecological survey then retracted his demand. Scott Low demanded our tree surgeon stop work at the site then admitted he did not have the power to request this. I met with Balfour Beatty whose predecessors had resurfaced Cherry Tree Lane six years ago and begrudgingly accepted responsibility for a step up to our land. Balfour Beatty let me know they had no objection to the work I’d carried out yet somehow Scott Low managed to find a highway objection.

We received 19 objections to our proposed access to the land at Cherry Tree Lane from local residents. All of whom have had at least one planning application passed without any objection and some… like Phil and Pam Watters may not have bothered with a planning application at all and just built what they wanted. In their whiney objections the neighbours complained about traffic… yet the Watters are allowed to run a very busy bed and breakfast increasing traffic on the lane by 50% a week.

Standing on our hardcore with Kevin, the Balfour Beatty site manager, one of the neighbours (he looked like I always imagined Eddy Grundy from The Archers) stopped his filthy car and told me I wasn’t welcome on the lane and I should bugger off. We laughed. “God,” Kevin said, “what do they put in the water up here?”

Hereford Council, colluding with the hysterical residents, did not redact personal or inappropriate remarks from the posted online objections. In effect Hereford Council are colluding with gun toting homophobes.

I left Walford Church and drove back to the hotel in Ross. After a short while in the bar with my friends I lay on a huge white bed. I checked the gay dating apps on my phone and soon had a local man riding me like an eager yearling. Enjoying the sweat and rough kisses of yet another closeted brick layer. I didn’t ask his name, his thick arms and thighs burying me in this new flesh I found, burying me enough to erase the faces of those nimby fools at the Walford Parish Council meeting. Enough to transport me far, far away.

The following day Phil Watters, the frail ex solicitor told his next door neighbour he risked getting hurt if he continued supporting my planning application. The same neigbour was forced off the road by Andrew Williams, made to scramble for his life. He was frightened Andrew would kill his dog. The neighbour lodged a complaint with the police. PC Ashley North from West Mercia Police advised the neighbour, ‘things get heated’ when there are planning disagreements. PC North also investigated the homophobic invective and the threats of gun violence.

2.

I returned last year from the USA with a renewed passion for equality. I was interested to know what it was like for gay people in Whitstable. The town of my birth and formative years. There are plenty of out gay couples and singles in Whitstable, Ed and Scott for instance. The guys who own Fred and Ginger builders who seem single handedly responsible for architect lite additions to ugly semis all over town. Their taste is lamentable and obvious… anyone who owns ubiquitous Tom Dixon lighting needs to think twice about their taste level. I think you know what I mean.

Like many gay men they do ok, because they ‘don’t want trouble’ they want others to challenge the status quo and merely enjoy the consequence of difficult people like me making it better for people like them. So, I started looking for examples of homophobia as and when I experienced them.

a) A young man made an appointment with me who wants to go into the film industry. He cancelled at the last moment. He was warned off because I was gay.

That is homophobia.

b) Zana Gradus, the rich owner of systems technology, is a remarkable women but let’s face it… when she tells me I am the kind of man she wants to meet then looks annoyed and tells me that being gay… is a waste.

That is homophobia.

c) When Nikki Billington the owner of JoJo’s Restaurant (arrested for people smuggling) tells her friends she doesn’t believe I am gay and adds a whole cache of equally vile invective from her homophobic canon including a list of resentments she has carried around for twenty years.

That is homophobia.

d) When Nick Batchelor screams he doesn’t ‘give a fuck’ what people do in bed… when I share my experience of being gay adding, ‘you can fuck animals for all I care.’

That is homophobia.

They ask about my work in the film industry, they ask if if they have ever heard of my films? I tell them I made LGBTQ films for niche audiences. They ask me if I ever make normal films.

That is homophobia.

But of course, Nikki and Zana, Nick and the Bulls Hill neighbours can’t be homophobic because they know gays. Ha! That tired old trope wheeled out to pink-wash ingrained homophobia.

My gay history is their homophobic playground and because I, like all lgbt… have had to construct my own definition of homophobia rather than have the IHRA do it for me… all of the above can get away with what they want. I have called the police but the police are really incapable of doing anything.

White heterosexual privilege is beyond question. Most people don’t mean to be stupid or homophobic, they don’t consider themselves cruel. The majority aren’t… they are simply careless, thoughtless, inconsiderate. Yet, some know exactly what they are doing, they expect to shame, malign and diminish me and get away with it. Don’t get me wrong, people like Ed and Scott the gay builders are just as liable as anyone else. In an environment when people like me pull up people like them, fragile white people have everything to lose. Consequently they coalesce around extreme politics and rise up against anyone not like them.

I can’t imagine things getting any better on Cherry Tree Lane, not any time soon. Perhaps I will indeed end up with a bullet in my head. Let’s see how far they’ll go to protect themselves from the other.

Categories
art Auto Biography Fashion Gay prison

Always There. Never Present

Whitstable, that’s where we grew up.  The High Street, a shingle beach, abandoned oyster beds, abandoned boat yards.

I knew I wanted to make something.  I never knew quite what.  Writing, knitting, print-making, drawing, theatre, acting, fashion.  Good… but never good enough.  Wanting to be included but unwilling to participate.  Confident to be part of what was going on but seldom sure.  Always there, never present.

Had I been allowed, as planned, to go to St Martin’s College of Art to study fashion I would have become a fashion designer.  I still have note books crammed with crude fashion drawings and swatches of hideous fabric made when I was 8 years old.  Each ‘season’ I would design a new collection and between ‘collections’ I would write and illustrate articles about the history of fashion.

An avid fashion commentator who had unwelcome, prepubescent opinions about everything.  My damning critique of Princess Anne’s ‘boring’ ivory duchess satin wedding dress in 1973 irritated my short-tempered, royalist Grandmother.  “Look at those ghastly sleeves…”

I was an industrious child.  At boarding school I excelled.

When I wasn’t busily designing imaginary runway collections I worked hard remaking my life, a life I could control. A life reimagined included: a 30 page illustrated story about a happy family of mice.  A precocious teenager at boarding school I spent months writing and rewriting rambling plays about unrequited love with other boys.

I saw my first proper play on a high school outing to Stoke on Trent.  Bertolt Brecht‘s, The Caucasian Chalk Circle with Bob Hoskins.  1975.  I was hooked.

Theatre!  I must make theatre.  The lights, the tension, the smell of the theatre.  The warmth and silence of the audience, laughter erupting around me, muffled crying from the red velvet stalls.

Oddly, I had absolutely no great passion for film or television.  Of course, I had seen many films but it wasn’t a world that piqued my interest.  I had a fondness for black and white Hollywood films from the 1940’s (particularly musicals) that I would either watch on the television on my own or walk up Whitstable High Street to the cavernous Oxford Cinema.

I was inspired.  Stealing an idea for my ‘new collection’, a sleeve or muff.  I watched the credits roll:  costume designer Edith Head… Funny Face.  Adrian, who designed the costumes for The Wizard of Oz.

I’m 12 years old.  I discover Marilyn Monroe without ever knowing she is already an established gay icon.  The following year I insist that my parents buy me Norman Mailer’s illustrated biography for Christmas.

Theatre and fashion people referenced film but nobody I knew would ever have thought about making one.

The years after I left Shotton Hall School in 1976, before I went to prison in 1983 were culturally the richest of my life.  I scraped into Medway College of Art and Design with one ‘O’ level.  I befriended punk rocker Billy Childish.  I learned how to etch and screen print and draw.  Punk was determining music fashion and graphics but scarcely impacted the institutionalized, established, sewn up world of British contemporary art.  Britain would have to wait until 1989 until Michael Clark, Tilda Swinton and Leigh Bowery performed in the Anthony d’Offay Gallery.

Whilst at Medway,  I saw a very ordinary man wearing a badly cut suit his tie askew commuting from London to Thanet holding a copy of The Sex Pistol‘s single God Save The Queen and nearly fainted in fear.  I was wearing a pair of my mother’s bottle green woolen tights.  I wonder what he must have thought about me?  He alighted at Rainham.

[youtube=http://www.youtube.com/watch?v=MeP220xx7Bs]

Unable to study fashion at St Martin’s College as my garrulous stepfather refused to let me.  I had to get a job. The job I was offered, selling clothes at Yves Saint Laurent on Bond Street, London became the beginning of what would turn out to be a great, although misguided, adventure.  An adventure that would shape the rest of my life.

I met Lady Clare Rendlesham and within a few months I was in Paris pretending to be her son.

Clare Rendlesham and others

Along with changing my identity,  in Paris I threw myself head long into the very accommodating worlds of fashion, performance art and theatre.

The land of sublime artifice.

During the pret-a-porter I would run with my friends through the streets of Paris from show to show.  Although my time in Paris seems less, in retrospect, about theatre and more about fashion and art, I was introduced to Robert Wilson and members of his company, traveled to Holland to see Lucinda Childs in Dance with music by Phillip Glass and travelled more to see beautiful work by Pina Bausch.

Pina Bausch died this year.

I was one of the first people in Paris to wear a Walkman.  I think I may still own that original item.  Some rich friend of a rich friend left it at my place.  He had bought it from Tokyo where he’d been modeling and never asked for it back.  Suddenly I had my very own soundtrack.  My life scored by Super Tramp.  The optimistic opening bars of  Take The Long Way Home soaring over the controversial rebuilding of Les Halles that seems only recently to have settled into its surroundings.  Music altered my perception of where I was and how I experienced it.  Paris was never so beautiful.

 

Duncan 19

It was during this time in 1978, as a willowy teenager, I chanced upon Fred Hughes at John Jermyn’s Rue de Bellechasse home.  That beautifully, wonderfully decorated house… rococo monkeys fucking on the drawing-room walls painted by Harry Gromelion and acres of Fortuny silk.

Fred had been, the year I met him, diagnosed with MS and had become nihilistic and surly.

When Fred got sick, he had to go to the American Hospital, and I decorated his room. I went to visit him, and brought pictures he liked, from his house and flowers…”  Julian Schnabel

Fred, so reviled, cut a sad and lonely path through his own life ending up incapacitated and angry.  At the end, surrounded in his Lexington Avenue home by the most beautiful things, nothing could placate him.  His terrible Texan mother moved in to help, firing his loyal assistant.  We never saw him again.

When I met Fred he had slicked back black hair and tailored suits, he lived in an apartment on the Rue du Cherche-Midi and was, to a provincial teenager, incredibly glamorous… a true dandy.

“It was I who found Fred Hughes his Paris apartment on the Rue du Cherche-Midi, where Warhol would stay.”  Pierre Berger

He liked me because he thought I was a British aristocrat.  He was a terrible snob.  Later, when he knew the truth, he would laugh and mock the moment we met and feign outrage.  He only ever called me Anthony.

Fred took me to New York, bought me Vetiver and appropriate underwear, gave me drugs at Studio 54, lent me shirts that belonged to Farouk, the last King of Egypt.  He wrapped me up in linen sheets and laughed at my jokes.  Fred introduced me to Yves St-Laurent and his muse LouLou de la Falaise, Baron Eric De Rothschild, flame haired owner of Egoiste magazine Nicole Wisniak.  I sat entranced by these people.  Wearing clothes Fred had bought for me, a brand new name.  Sloughing off the past… a past for which I had no need.

Perhaps we understood each other because we had both abandoned our past for a far more thrilling present.  After his death he was described as ‘a consummate liar, social climber, and a bespoke SOB who grew to total ghoulishness because of his connection to Andy Warhol.’

Isn’t everyone a social climber of some kind… and why the hell not?  It’s galling to have Fred’s memory so maligned.  From what I saw he managed or rather… baby sat Andy Warhol, pulling him out of relative poverty, protecting him from the unworthiest.

Was that a lie?  I really don’t have a clue.  As a teenager I thought he was just swell.

It is so sad to see him like this, stricken with MS:

[youtube=http://www.youtube.com/watch?v=SnA3MICxFqs]

 

This photograph is amusing.  Tim Hunt, Princess Anne of Bavaria, Me and Alexis de Toqueville at Anne’s apartment in Paris.  Like so many beautiful young men from that time, Alexis would die of AIDS.  Hid family refused to acknowledge his life as a gay man and his death as a gay man.

Samia Saouma’s Gallery (another social hub as great galleries tend to be) I was introduced to the work of  The Baron de Meyer, Man Ray and Joseph Kosuth.  I followed the crowd and applauded the sparse and mannered work of Robert Wilson.  We saw I Was Sitting on My Patio This Guy Appeared I Thought I Was Hallucinating and Death Destruction and Detroit.

In Paris I learned about artists and their power and prestige.  Most of these men and women, invited to Europe during the late 70’s early 80’s, were American.  Flooding the world with new ideas; polemical and challenging.

What happened to the arts?   Even though British theatre seems to have maintained it’s edge, British art has become increasingly bland and decorative.  Says nothing of the war or the bloody peace.

Paris was just how Paris is meant to be: an education for a young man.

Before we leave Paris there was one sublime moment.  It was a moment.  We all need them.  Romantic.  I had been invited to the house of some elderly Duke.  On an orange velvet wall hung a huge sunset by Turner.  Surrounded by furniture, a light supper served in front of it.  This is how art should be enjoyed.  Domestically.

Turner

Returning to England I was given the telephone number of Erica Bolton by The Princess Anne of Bavaria.   I met Erica at The Riverside Studios in Hammersmith, West London, where she worked as a publicist.   My great love affair with the theatre began in earnest.

David Gothard Riverside Studios

Erica Bolton, in turn, introduced me to a community of successful writers and directors. Men and women who inspired me to make my own theatre, my own films, my own art.

I listened and learned.

Erica sneaks me into the theatre to see Kantor’s sold out show Wielopole, Wielopole. I sit in the Gods looking down at syphilitic soldiers marching, wax figures strapped to the living, a monochrome set with Kantor in the middle of it all tweaking his memories and watching sadly as the dead come back to life.

It was triumphant, breathtaking theatre and in sharp contrast to the very British, academic work of Peter Gill (Cherry Orchard) who I met that year (1978) and his then assistant David Levaux the now hugely respected Broadway director.

[youtube=http://www.youtube.com/watch?v=OEB2jmYHVsA&feature=related]

There were so many exciting people to hang out with at The Riverside like the precocious Hanif Kureishi fresh from his triumphant stint at The Royal Court.

Pioneering David Gothard, the artistic director, the genius at the very heart of the Riverside Studios.   Responsible for bringing Tadeusz Kantor, Miro, Shuji Tereyama and many others not only to Hammersmith but to the UK.  Night after night we sat in the canteen drinking beer and smoking cigarettes.  I loved every moment.

In 1979 I made my way to Paris to see Peter Brook’s Bouffes du Nord.  To Paris by boat and train to see Brook’s Conference of the Birds.  The raw brick walls and magnificent arches quite unlike any other performance space.  I can’t remember where I stayed that night.  I was in heaven.  I remember the Persian rugs on the floor, the chirping of the cast as they imitated different birds..a chorus… the dawn chorus.

I wanted to make theatre so badly.    When I finally got around to it I made just one good work The Host.  The other works (as it turned out) a preamble for my later film making and really not that good.

In 1981 I moved into a small flat in Furlong Road, Islington.  The home of director Michael Darlow.  The flat came with a job:  nanny to their wayward 13-year-old adopted son.  Wandering the streets I discovered the derelict Almeida Theatre where I would end up having my 22nd Birthday thrown by designer Scott Crolla.  Furniture Designer Tom Dixon was our doorman.  William Burroughs came.

‘Come Dressed at Duncan Roy’ the invitation demanded.

Here are Kadir Guirey and Tom Dixon in their band Funkapolitan…

[youtube=http://www.youtube.com/watch?v=FExauuV3acA]

The Almeida Theatre, bought and renovated (Bouffe de Nord style) by Lebanese born Pierre Audi.   I managed, by chance, to witness the birth of an institution.   Even when derelict, Pierre used the space as a theatre.  Amongst many, early notable Almeida productions I saw A Dybbuk For Two People with Bruce Myers and in 1982, at Saint James’s Church, Chillingworth Road at the Almeida International Festival of Contemporary Music, John Cage at 70.  Stunning.

Early 1983 I was arrested and imprisoned for running up a huge bill on my credit card.   I spent the next ten months starved of  theatre and art but found another altogether unexpected beauty.

I was 23.  Prison, as I have said before, was beautiful.

People like Erica bid their adieu and I would never really see them again.

1983, months after I left Wormwood Scrubbs Prison I answered an advertisement in Time Out Magazine. Neil Bartlett was looking for performers to open his show PORNOGRAPHY, a Spectacle at the Institute of Contemporary Arts.  It was a gruelling process, one I found particularly hard to get to grips with.  Acting, as you may know, requires the performer to be real and at this time in my life I really had no idea how to do that at all.

As with my appearance in the ‘A’ list thirty years later, people mocked my decision to be in a gay play about sex and sexuality.   Life is for the experience… isn’t it?  One grand adventure after another.

Theatre

Pornography: A Spectacle. 1983/84 Actor

  • Institute of Contemporary Arts, London, 6 city UK tour, Poor Alex Theatre, Toronto, Canada
  • Devised with Ivan Cartwright, Neil Bartlett and Robin Whitmore

Robin, Ivan and Duncan in ‘Pornography, a Spectacle’

“Pornography is quite wonderful, outrageous, intentionally shocking — but with real human beings stepping through the sensationalism at regular intervals to speak between the screams of cliché in normal conversational tones about who they are and how they really feel. The recurrent theme is one of intense pornographic description, which the actors suddenly stop, pause, and say, “of course that was merely a quotation,” or “but it really wasn’t like that.” Sky Gilbert

The Critic by Sheridan: 1984 Actor – Mr. Puff

  • Edinburgh Festival

The Host: 1987 Writer/Director

  • Institute of Contemporary Art London and National Review of Live Art Glasgow with Georgia Byng and Tatiana Strauss
  • October Gallery

Bad Baby: 1989 Writer/Director

  • The Penny Theatre, Canterbury, Kent, Hen and Chickens Theatre, Islington North London
  • Using a cast of local Kent performers this play examined issues of child abuse using Beatrix Campbell’s Unofficial Secrets as the basis of the text.

Marrianne Fearnside in Bad Baby

The Baron in the Trees: 1990 Writer/Director

  • Adapted from the Italo Calvino novel of the same name for The Penny Theatre, Canterbury, Kent

Copper’s Bottom: 1991 Writer/Director

  • Sadler’s Wells Theatre, starring Aiden Shaw

Call me Susan: 1993 Co-writer

  • Traverse Theatre, Edinburgh; Edinburgh Festival Fringe;
  • Call Me Susan explored issues surrounding prostitution across Europe. A dramatized discussion between two prostitutes interspersed with real-life recorded testimonies and pictures of prostitutes working in six European cities.